allthingseurope:

North Yorkshire, England (by mark deal 1)

04:53 pm, reblogged  by smshngthnku 1881

leilckheart:

“…not when you’re lonely.”

(Source: leilockheart)

04:52 pm, reblogged  by smshngthnku 14817

(Source: leilockheart)

04:51 pm, reblogged  by smshngthnku 32284
newharlemshuffle:

fallingintogracewithyou:

Dream concert.

I have the bootleg of this tour from the Cow Palace a few days later, all three bands killed it

newharlemshuffle:

fallingintogracewithyou:

Dream concert.

I have the bootleg of this tour from the Cow Palace a few days later, all three bands killed it

(Source: bloodsugarsexgrunge)

10:40 am, reblogged  by smshngthnku 1119
10:38 am, reblogged  by smshngthnku 998

In the late 1880s, the body of a 16-year-old girl was pulled from the Seine. She was apparently a suicide, as her body showed no marks of violence, but her beauty and her enigmatic smile led a Paris pathologist to order a plaster death mask of her face.
In the romantic atmosphere of fin de siècle Europe, the girl’s face became an ideal of feminine beauty. The protagonist of Rainer Maria Rilke’s 1910 novel The Notebooks of Malte Laurids Brigge writes, “The mouleur, whose shop I pass every day, has hung two plaster masks beside his door. [One is] the face of the young drowned woman, which they took a cast of in the morgue, because it was beautiful, because it smiled, because it smiled so deceptively, as if it knew.”
Ironically, in 1958 the anonymous girl’s features were used to model the first-aid mannequin Rescue Annie, on which thousands of students have practiced CPR. Though the girl’s identity remains a mystery, her face, it’s said, has become “the most kissed face of all time.”

In the late 1880s, the body of a 16-year-old girl was pulled from the Seine. She was apparently a suicide, as her body showed no marks of violence, but her beauty and her enigmatic smile led a Paris pathologist to order a plaster death mask of her face.

In the romantic atmosphere of fin de siècle Europe, the girl’s face became an ideal of feminine beauty. The protagonist of Rainer Maria Rilke’s 1910 novel The Notebooks of Malte Laurids Brigge writes, “The mouleur, whose shop I pass every day, has hung two plaster masks beside his door. [One is] the face of the young drowned woman, which they took a cast of in the morgue, because it was beautiful, because it smiled, because it smiled so deceptively, as if it knew.”

Ironically, in 1958 the anonymous girl’s features were used to model the first-aid mannequin Rescue Annie, on which thousands of students have practiced CPR. Though the girl’s identity remains a mystery, her face, it’s said, has become “the most kissed face of all time.”

10:37 am, reblogged  by smshngthnku 12705
prufr0cknr0ll:

Isn’t this always the story?

prufr0cknr0ll:

Isn’t this always the story?

10:36 am, reblogged  by smshngthnku 454
  10:33 am, reblogged  by smshngthnku 60501
Raymond Chandler, The Long Goodbye (via libraryland)

06:28 pm, reblogged  by smshngthnku 340